This production is inspired by the etchings of Giovanni Piranesi and M.C. Escher. Two tall towers, connected by bridges, and a labyrinth of straight and spiral staircases echo Lucia’s unbalanced state of mind and hints to the sense of entanglement that leads to her tragic end.

LUCIA DI LAMMERMOOR (NEW)

Seattle Opera 2010



Reviews

Seattle Times Review for Lucia from Seattle Times

October 18, 2012

Israeli stage director Tomer Zvulun's debut production for the company was a practically unalloyed triumph...