Seattle-Atlanta-Dallas 2013
Photos by Rob Reynolds
February 25, 2013
“La Bohème” is one of the major triumphs in Speight Jenkins’ three-decade tenure as general director of Seattle Opera. it is rich in fine acting and singing, perceptive directing and zestful orchestration, writes reviewer Bernard Jacobson.The production opened on Saturday, directed by Tomer Zvulun and conducted by Carlo Montanaro with flair and perceptivity in equal measure, persuaded me that the work is not merely immensely popular but a much greater opera than I have previously thought.
From the dramatic point of view, Zvulun’s deployment of his two casts threw new light on the humanity of the piece.
February 25, 2013
This unforced and guileless interpretation of one of opera's most beloved classics gave, for want of a better phrase, everything one could want from this opera. ... The sets were presented with such attention to detail, and the subtlety and thoughtfulness that went into lighting techniques were such that they almost seemed a character of their own. Director Tomer Zvulun's rendering of Puccini's poignant masterpiece, as well as the exquisite work done by Carlo Montanaro and the orchestra, are a reminder of how fresh and invigorating this work can still be.February 25, 2013
Seattle Opera Puts On Lovely, Heartbreaking La Bohème